How Much Do We Want To Know?

Janet Maslin spills all kinds of juicy gossip in The New York Times about J.M. Barrie in For Starters, A Satanic Svengali, a review of J. M. Barrie, the Du Mauriers and the Dark Side of "Peter Pan" by Piers Dudgeon. But the line "But his real evil, in Mr. Dudgeon’s view, was more satanic than sexual, and “Neverland” goes into overdrive when it unveils Barrie’s cloven-hoofed side" left me going, "Which was? What? What was it?"

The monster of Neverland: How JM Barrie did a 'Peter Pan' and stole another couple's children by Tony Renell in The Daily Mail gets into a lot more dirty detail. And guess what--There's a Peter Pan/Rebecca connection.

Two of my favorite obsessions are linked. How marvelous is that?

A Pan For Fathers

This weekend, as part of my Peter Pan binge (which is more of a long, dragged out obsession than a true binge), I saw Hook. It was very interesting seeing it so soon after having read the original book. I got a lot more references than I would have trying to recall the play from second grade.

While the original Peter Pan had a very definite mother obsession thing going on, this one is an Ode to Dad. It's a very painful story of Peter growing up to be a yuppie who hasn't got time for his kids. Peter ends up fighting Hook, not for anything so petty as life or death, but for the love of his son.

I've read that some think Peter Pan is actually about the fear of death. First you grow up, and then you die. (If you're lucky, it goes in that order.) This version definitely plays that up. The line about death being a great adventure is used three times, once by Peter and twice by the old man, Hook. And this version of the Pan story definitely made me think differently about the clock. Sure Hook was afraid of the sound because it meant the alligator that had swallowed it was coming to kill him. Death! But all clocks measure the passing of time, the dwindling away of our lives. Death!

Though it doesn't seem to have gone over very well with reviewers, Hook is interesting for people who are into Peter Pan. It's also very much a movie for adults, with some pretty heavy (and not very subtle) messages. Don't ignore your kids. Growing up is awful. Being an adult stinks. Being elderly means loosing your marbles like Tootles.

I imagine that back in 1991 there were theaters full of mystified kids sitting next to parents who were sobbing through most of the picture.

Oh, Grow Up!

If you belong to the child_lit listserv, be sure to check out this past week's discussion of Peter Pan. It was initiated by moi after having been weirded out by the book by J. M. Barrie.

As I've confided here before, when I was in second grade I fell desperately in love with Peter Pan after reading the play. I must have talked about it because the girl next door started sending me love notes from Peter, leading me to believe he lived in the woods behind our house. (The neighbor became some kind of minister, probably out of guilt over what she did to me.) I don't know how I found out the truth, but I was devastated. I remember my mother telling me to remember how I felt so I would never do to anyone else what my neighbor, Debbie, did to me.

And sure enough, I have never sent anyone love notes claiming they were from Peter Pan.

Anyway, I can recall seeing the Mary Martin version of the play on television when I was much older. After I had children, the ending would reduce me to tears. (Of course, at that time a Kodak commercial or an episode of The Twilight Zone could reduce me to tears. I was suffering from sleep deprivation, because I didn't sleep through the night for nearly ten years after my first child was born.)

Then last fall I read Peter Pan in Scarlet, a Cybils nominee, and thought it was just marvelous. So I decided I would go on a Peter Pan binge, and I've just recently finished reading the 100th Anniversary Edition.

Oh, dear God, this book is so creepy.

Is it a children's book that today's children probably can't read? (A 2004 New Yorker article called Lost Boys describes Peter Pan as "close to unreadable—sometimes because it is sappy with sentiment but mostly because it is just too gnarled and knotted for current taste...let alone for that of our children.") Was it meant as a book for adults as some of my colleagues on the listserv contend?

There's much in the story that I find witty, perhaps even satirical. But I wonder if it was meant that way or if I'm just reading something into it. For instance, when Wendy tells the pirates who have captured her that she's speaking for all the boys' mothers when she says, "We hope our sons will die like English gentlemen," is that for real? Or is it a joke?

This is a bloody and violent story in which children, pirates, and Indians are all killing one another--presumably for real. Not that violence has no place in children's literature. But this is bizarre stuff that results in no serious grief. It's all part of the adventure. Peter says, in fact, that death will be an adventure.

Another Cybils nominee, Larklight plays on some of the same British imperial attitudes we see in Peter Pan. In Larklight, though, we know it's all a joke. I'm just not sure in Peter Pan.

Oh, and the book is racist, too. And it's got a mother obsession thing going that probably went over much better back at the turn of the last century than it does now.

Peter is one strange fellow, by the way--self-centered and insensitive and yet the object of all the ladies' affection. Including mine back in the day. What the hell was I thinking?

One of the things that's particularly freaking me out about this whole episode is that I have a book coming out in June that deals with fantasy play. I just today mailed out a draft of a second book in the same series. The children in my book create elaborate games and want to be vampires and hunt for clues involving bullet holes and blood and want to play with guns and handcuffs. In the first book they play pirates!

I am up to my eyebrows in Peter Pan-like fantasy. How weird is that?